NIGHT ON THE GALACTIC RAILROAD BOOK

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Start by marking “Night on the Galactic Railroad & Other Stories from Ihatov” as Want to Read: An unfinished dream from , Kenji Miyazawa pours himself into this melancholy tale that tries to make sense of some of life's biggest questions via railway and the cosmos. BurukaniroHakase The book contains only the Night of the Milky Way To understand Kenji Miyazawa and his marvelous Milky Way Railroad, one must. Night on the Galactic Railroad and Other Stories from Ihatov (Modern Japanese Classics) Paperback – February 11, Kenji Miyazawa () is one of Japan's most beloved writers and poets, known particularly for his sensitive and symbolist children's fiction.


Night On The Galactic Railroad Book

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Night On the Galactic Railroad & Other Stories from Ihatov by Kenji Miyazawa - book cover, description, publication history. Night on the Galactic Railroad sometimes translated as Milky Way Railroad, Night Train to the Stars, or Fantasy Railroad In. Night on the Galactic Railroad & Other Stories from Ihatov by Kenji Miyazawa, , available at Book Depository with free delivery worldwide.

Night of the Milky Way Railway

Advertisement: The film changes all but a few characters from humans to anthropomorphic cats , apparently, to honor the author's belief in reincarnation. Also, to honor Miyazawa's love for Esperanto the film was alternatively named Nokto de la Galaksia Fervojo. All signs and "chapter titles" in the film are also in Esperanto.

But not anymore! Consists of: The original novel by Miyazawa Kenji, published posthumously in Four drafts are known to exist, of which the last one is the best-known.

A animated film directed by Gisaburoo Sugii. Advertisement: A theatrical sketch in a play consisting of Kenji's works, written by Yutaka Narui. A musical by the Warabiza performing arts company.

A play in English by the University of Massachusetts. Not to be confused with Galaxy Express Sprawled out on his back in the grass outside of town, Giovanni's stargazing is interrupted by the arrival of a phantasmal train from the stars.

On boarding it, Giovanni finds a familiar fellow passenger: Together, they ride the train through a slew of constellations, with colorful figures to be found at each stop — e. Eventually, a slew of passengers come on board who appear to be refugees from the sinking of the Titanic , and the meaning of the whole star trek becomes clear: This is the railroad to the afterlife, but it isn't Giovanni who's dead — it's his friend Campanella, who drowned during the lantern festival while Giovanni was on the hillside with his eyes to the sky.

A few things might come immediately to mind on reading that synopsis. First, any of you who flashed back to Galaxy Express are spot-on: Leiji Matsumoto 's epic work was indeed directly inspired by Miyazawa's story. That includes both the mystical under- and overtones of the story, as well as its peculiar internal rhythm.

At many a stop, Giovanni and Campanella disembark and explore the area around the station, and their Aesopian-allegorical encounters with the locals play out much as they do in Sometimes there's a lesson — e. The other thing that might present itself is Miyazawa's choices of name and locale, a deliberate mix of Japan and elsewhere.

In the endnotes to the excellent Sarah M. Japanese readers were meant to find many of those details just as disorienting as Western readers found others.

NOVEL: Night on the Galactic Railroad

It's this second element, the feeling of strangeness-to-all, that seems to have been a fundamental building block of Sugii's animated adaptation of the story. For Japanese and Western audiences alike, it's an oddity — even those familiar with the story are greeted with a version of it that tries to be alien and new to them without being entirely off-putting.

Sugii uses two main devices to accomplish this, one obvious and the other less so. First is the design and setting for the story; Giovanni's town seems patterned after the same kind of pan-European designs that Hayao Miyazaki used for Kiki's Delivery Service , but with a gloomy edge reminiscent of the work of Italian artist Giorgio de Chirico. The look of it places it firmly in the tradition of works that can be for younger viewers, but are not obliged to be compulsively sunny.

Night On the Galactic Railroad & Other Stories from Ihatov

Second is how Sugii chose to depict Giovanni, Campanella, and the other characters from their village as anthropomorphic cats. It's a curious device, but I don't think it's being used here as a way to appeal to self-conscious anime fans or anything like that.

It's being used as a way to further enhance the neither-Occident-nor-Orient nature of the story, to give the characters a flavor that's all the more symbolic without turning them into nothing but symbols. Another animated production created from Miyazawa's body of work, the biographical Spring and Chaos , used a similar device, and Sugii himself revisited the idea when he adapted another Miyazawa work, The Life of Guskou Budori , for the screen in What throws the use of this technique into the sharpest relief is Sugii's version of the scene when the refugees from the Titanic board the train.

They are not depicted as cats, but instead as relatively realistic human beings.

The mere fact Sugii chooses to do this is striking by itself, but I believe there is more to this than simply the execution of a stylistic effect. Sugii wants to set these particular characters apart from all the others encountered by the boys in their journey. Not just because they are among the dead, but because of the way they have witnessed death — a way that parallels, if only very loosely, the way Campanella himself has died — and because they now have something to communicate to Giovanni about it all.

The dead have a lesson for the living, if only the living are prepared to hear it, and the young among the living need to hear it most of all. Sugii's visual devices are too singular and striking to be re-used elsewhere.

The cosmic eye

The Manga de Dokuha "Reading Through Manga" series, where classic literature from both Japan and the West are adapted into manga format Dogura Magura , for instance , has its own version of Galactic Railroad.

As per the generally middlebrow nature of the adaptations in that series, it's nowhere nearly as creative or interesting as Sugii's project.

This specific ISBN edition is currently not available.

View all copies of this ISBN edition: Synopsis About this title Kenji Miyazawa is one of Japan's most beloved writers and poets, known particularly for his sensitive and symbolist children's fiction. About the Author: download New View Book. Customers who bought this item also bought. Stock Image. New Paperback Quantity Available: Seller Rating: New Quantity Available: Published by One Peace Books.The anime Mawaru-Penguindrum makes multiple references to both the book and the anime adaptation throughout, such as the red and blue colors associated with the main characters, the "Scorpion Fire" parable and the apple motif.

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There is both beauty and pathos in these vigorous attempts at conversion. Campanella's father tells Giovanni that a letter has arrived from his father, announcing he will be returning soon.

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